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Banyan Live at Winston's on 2008-04-11

by Banyan



**24bit/48khz file set**
Set I
1. fade in/intro
2. improv #1 ->
3. improv #2
4. improv #3
5. improv #4
6. improv #5
7. improv #6
8. TV Eye
9. improv #7
Set II
10. intro/Maggot Brain ->
11. A Love Supreme ->
12. Machine Gun *
13. improv #8
14. improv #9
15. improv #10
16. improv #11 ->
17. improv #12
18. improv #13
19. Fun House
20. improv #14
21. improv #15

* dedicated to Buddy Miles, R.I.P.

Line Up:
Stephen Perkins - drums
Willie Waldman - trumpet
Mike Watt - bass, vocals
Nels Cline - guitar
Norton Wisdom - live art


Collection BanyanMusic
Band/Artist Banyan
Venue Winston's
Location San Diego, CA

Source 4 track post-mix: {([2] AKG c460b/a60m/a51/ck3 (mounted below rafters ~ 15' back DFC, ~ 9' high, DINish pointed just inside stacks) -> 'vintage' mod. pres) + ([2] AKG c452eb/ck22 (hung from rafters above stage lip, split ~ 10', 8' high) -> 'transparent' mod. pres)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
Lineage Busman V/T Mod. Edirol R-4 Pro -> PowerBook G4/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc (w/ plug-ins on master fader: MasterWorks EQ (hpf: -12dB/octave @ 48.3Hz); Dynamics v3.3 (light compression); MasterWorks Limiter v4.3; Trim v4.3 (peak normalize)); split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taped by James Bartoli

Notes

Live sound and PA mix by Justin Quiring.

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easy jim
on 5/22/2008
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Source: DAUD 2 Source, 4 track post-mix: {([2]AKG c452eb/a51/ck3 (DIN, ~ 10' high, clamped to rafter ~ 30' back from PA) -> Sound Devices MixPre -> Edirol R-09 @ 24bit/48khz) + ([2]AKG c460b/a60/ck22 (hung from rafters above stage lip, split ~ 8', 7' high) -> Aerco MP2 -> Apogee MiniMe @ 24bit/48khz -> AES/EBU -> Busman V/T Mod. R-4 Pro @ 24bit/48khz)}
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Source: 4 track post-mix: {([2] AKG c460b/a60m/a51/ck3 (mounted below rafters ~ 15' back DFC, ~ 9' high, DINish pointed just inside stacks) -> 'vintage' mod. pres) + ([2] AKG c452eb/ck22 (hung from rafters above stage lip, split ~ 10', 8' high) -> 'transparent' mod. pres)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
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Source: DAUD: AKG c452eb/ck22 (split ~ 15', 9' high, suspended from rafters ~ 12' from each PA stack) -> Aerco MP2 -> Apogee MiniMe @ 24bit/48khz -> AES/EBU -> Bus W/T Mod. R-4 Pro @ 24bit/48khz
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by Banyan
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Source: DAUD 2 Source, 4 track post-mix: {([2]AKG c452eb/a51/ck3 (DIN, ~ 10' high, clamped to rafter ~ 30' back from PA) -> Sound Devices MixPre -> Edirol R-09 @ 24bit/48khz) + ([2]AKG c460b/a60/ck22 (hung from rafters above stage lip, split ~ 8', 7' high) -> Aerco MP2 -> Apogee MiniMe @ 24bit/48khz -> AES/EBU -> Busman V/T Mod. R-4 Pro @ 24bit/48khz)}
Banyan
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Source: DAUD: AKG c452eb/ck22 (split ~ 15', 9' high, suspended from rafters ~ 12' from each PA stack) -> Aerco MP2 -> Apogee MiniMe @ 24bit/48khz -> AES/EBU -> Bus W/T Mod. R-4 Pro @ 24bit/48khz
Banyan
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1
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Source: DAUD: AKG c452eb/ck22 (split ~ 15', ~ 9' high hanging from rafters, 12' back from PA) -> Apogee MiniMe @ 24bit/48khz -> AES/EBU -> Busman W/T Mod. R-4 Pro @ 24bit/48khz
Banyan
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Source: 4 track post-mix: {([2] AKG c460b/a60m/a51/ck3 (mounted below rafters ~ 15' back DFC, ~ 9' high, DINish pointed just inside stacks) -> 'vintage' mod. pres) + ([2] AKG c452eb/ck22 (hung from rafters above stage lip, split ~ 10', 8' high) -> 'transparent' mod. pres)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
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Source: 4 track post-mix: {([2] AKG c452eb/ck22 (~ 10' high, ~ NOS, mounted to support beam 7-8' above/2-3' back from stage) -> 'vintage' mod. pres) + (SBD L/R (TRS matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz
Banyan
by Banyan
2,111
1
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( 1 reviews )
Source: DAUD: AKG c452eb/ck22 (split ~ 15', ~ 9' high hanging from rafters, 12' back from PA) -> Apogee MiniMe @ 24bit/48khz -> AES/EBU -> Busman W/T Mod. R-4 Pro @ 24bit/48khz
Banyan
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( 1 reviews )
Source: 4 track post-mix: {([2] AKG c452eb/ck22 (~ 10' high, ~ NOS, mounted to support beam 7-8' above/2-3' back from stage) -> 'vintage' mod. pres) + (SBD L/R (TRS matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz